Arngunn
Timenes Bell, from Viksdalen (Gaular) in Sunnfjord,
Western Norway, has been playing hardingfele since she was
7 years old. She
plays music from her home district, but is also well-versed in music
from other districts. She loves dancing, loves to play for dancing,
and places great emphasis on good dance rhythm in her playing. Arngunn
has studied with Vidar Underseth, Sigmund Eikås and Håkon
Høgemo. She is currently a second-year student at the Ole
Bull Academy in Voss. She has taught hardingfele at Mokurset,
the oldest folk music and dance summer course for young people in
Norway, for several years. Arngunn has done very well at local and
national folk music competitions and at Landskappleiken, playing
solo, in small groups, and since 1997 as leader of the Gaular Spelemannslag.
She has performed as far abroad as Malawi
in southern Africa, China, and Uzbekistan.
Rebecca Lofft
Rebecca
Lofft, from San Diego, California, began studying classical violin
and viola at an early age. As a young teen, her Norwegian heritage
led her to hardingfele workshops in the U.S. She graduated from
St. Olaf College with a B.A. in Norwegian and English and a focus
on classical viola and hardingfele. Since 2005, Rebecca has been
studying hardingfele on a Fulbright grant at University College
in Rauland (Høgskolen i Telemark). She expects to receive
her Master’s degree this June. Her thesis project explores
the relationship between Hallingdal and Valdres fiddle tunes.
She currently resides in Hallingdal and studies with Øyvind
Brabandt.
Karen Solgård
Karen
Solgård teaches people about hardingfele in concerts,
school workshops and residencies, fiddle workshops and private
lessons. Karen has been active in the HFAA since its founding
and has served as Sound Post editor, vice president,
and workshop teacher and coordinator. Karen seeks to revive
a family tradition
lost after her grandparent's generation and to help rekindle
interest in Norwegian folk music and dance traditions in the
U.S. in general. Her newest CD, Norse Fiddle in Concert,
includes stories, songs and fiddling. She has two other CDs, Norse
Fiddle at Home and Norse Fiddle at the Wedding,
each with an accompanying music book.
Dan Trueman
Dan
Trueman, composer and violinist, began hardingfele twelve
years ago,
first learning tunes from an old recording
of Anund Roheim. He has studied with Loretta Kelley, Hauk Buen,
and Vidar Lande, among others. Dan's most recent accomplishments
for the HFAA include curating the AmerikaSlåttar (new
music) concert at AmeriKappleik in 2003 and teaching
at the 2006 HFAA workshop. Inspired by traditional hardingfele,
Dan performs with guitarist Monica Mugan in Trollstilt. The duo
released
its
first CD of original tunes in 2000 and has performed at contemporary
and folk music festivals, most notably at Den Norsk Folkemusikkveka in Ål,
Hallingdal. Trollstilt has recently expanded and become QQQ,
which will release its first CD in the Fall of 2008.
Dan teaches composition at Princeton University.
Vidar
Underseth and Leikny
Aasen, from Ålesund in western Norway,
are not only prize-winning dancers but also performers on the
hardingfele and regular fiddle. Vidar was born in Solund, an
island community in outer Sognefjord. He has won the Landskappleik three
times dancing the parhalling, including winning the Kongepokal (King's
Trophy) in 1989. He is a full-time musician/dancer, and is one
of the most sought-after dance teachers in Western Norway. Vidar
has produced an instructional DVD featuring beginning-level teaching
of both hardingfele and regular fiddle traditions of his area.
Leikny was born in Bergen and began playing hardingfele as a
child, focusing on the traditions of Sogn og Fjordane. She has
won the district competition in Møre og Romsdal several
times, and has been working intensively with old traditional
music from Sunnmøre. Together, Vidar and Leikny have placed
high in Class A dance at the Landskappleik with the
Springar from Solund. Leikny and Vidar have taught and performed
in the US on several previous occasions, and they were the featured
dance teachers at the HFAA Annual Workshop in 2000.
Hege Ravdal, whose Norwegian home is in Morgedal, Telemark, has been deeply involved
with Norwegian traditional singing for some time. Hege has taught kveding at
the HFAA Annual Workshop for the past three years, and she has written about
Norwegian vocal folk music for the HFAA's Sound Post (Summer 2006 issue).
She has studied with Olav Sem, Aasmund Nordstoga, and Jon Anders
Halvorsen
both in the US and in Norway.
Gideon Morse began playing munnharpe in Hallgrim Berg's workshop at the HFAA’s
AmeriKappleik in 2003. He has since participated in every munnharpe workshop
offered by the HFAA. In 2007, he traveled to Setesdal, Norway, to learn tunes
from Sigurd Brokke and visit munnharpe maker Bjørgulv Straume. Gid plays
munnharpe and leads halling antics at Scandinavian dances in New England.
Arngunn
Timenes Bell, from Viksdalen (Gaular) in Sunnfjord,
Western Norway, has been playing hardingfele since she was
7 years old. She
plays music from her home district, but is also well-versed in music
from other districts. She loves dancing, loves to play for dancing,
and places great emphasis on good dance rhythm in her playing. Arngunn
has studied with Vidar Underseth, Sigmund Eikås and Håkon
Høgemo. She is currently a second-year student at the Ole
Bull Academy in Voss. She has taught hardingfele at Mokurset,
the oldest folk music and dance summer course for young people in
Norway, for several years. Arngunn has done very well at local and
national folk music competitions and at Landskappleiken, playing
solo, in small groups, and since 1997 as leader of the Gaular Spelemannslag.
She has performed as far abroad as Malawi
in southern Africa, China, and Uzbekistan. 
Rebecca
Lofft, from San Diego, California, began studying classical violin
and viola at an early age. As a young teen, her Norwegian heritage
led her to hardingfele workshops in the U.S. She graduated from
St. Olaf College with a B.A. in Norwegian and English and a focus
on classical viola and hardingfele. Since 2005, Rebecca has been
studying hardingfele on a Fulbright grant at University College
in Rauland (Høgskolen i Telemark). She expects to receive
her Master’s degree this June. Her thesis project explores
the relationship between Hallingdal and Valdres fiddle tunes.
She currently resides in Hallingdal and studies with Øyvind
Brabandt. 
Karen
Solgård teaches people about hardingfele in concerts,
school workshops and residencies, fiddle workshops and private
lessons. Karen has been active in the HFAA since its founding
and has served as Sound Post editor, vice president,
and workshop teacher and coordinator. Karen seeks to revive
a family tradition
lost after her grandparent's generation and to help rekindle
interest in Norwegian folk music and dance traditions in the
U.S. in general. Her newest CD, Norse Fiddle in Concert,
includes stories, songs and fiddling. She has two other CDs, Norse
Fiddle at Home and Norse Fiddle at the Wedding,
each with an accompanying music book.
Dan
Trueman, composer and violinist, began hardingfele twelve
years ago,
first learning tunes from an old recording
of Anund Roheim. He has studied with Loretta Kelley, Hauk Buen,
and Vidar Lande, among others. Dan's most recent accomplishments
for the HFAA include curating the AmerikaSlåttar (new
music) concert at AmeriKappleik in 2003 and teaching
at the 2006 HFAA workshop. Inspired by traditional hardingfele,
Dan performs with guitarist Monica Mugan in Trollstilt. The duo
released
its
first CD of original tunes in 2000 and has performed at contemporary
and folk music festivals, most notably at Den Norsk Folkemusikkveka in Ål,
Hallingdal. Trollstilt has recently expanded and become QQQ,
which will release its first CD in the Fall of 2008.
Dan teaches composition at Princeton University.
Vidar
Underseth and Leikny
Aasen, from Ålesund in western Norway,
are not only prize-winning dancers but also performers on the
hardingfele and regular fiddle. Vidar was born in Solund, an
island community in outer Sognefjord. He has won the Landskappleik three
times dancing the parhalling, including winning the Kongepokal (King's
Trophy) in 1989. He is a full-time musician/dancer, and is one
of the most sought-after dance teachers in Western Norway. Vidar
has produced an instructional DVD featuring beginning-level teaching
of both hardingfele and regular fiddle traditions of his area.
Leikny was born in Bergen and began playing hardingfele as a
child, focusing on the traditions of Sogn og Fjordane. She has
won the district competition in Møre og Romsdal several
times, and has been working intensively with old traditional
music from Sunnmøre. Together, Vidar and Leikny have placed
high in Class A dance at the Landskappleik with the
Springar from Solund. Leikny and Vidar have taught and performed
in the US on several previous occasions, and they were the featured
dance teachers at the HFAA Annual Workshop in 2000. 
